An immersive experience, characterized by a strong impactful visual and sound, which will be expressed in the form of multi-screen performances and installations.

Starting from the images captured this year by the James Space Telescope Webb, the first in history to show galaxies and nebulae in great detail, SPIME.IM will investigates the limits of anthropocentrism in a multimedia flow that exploits different video processing techniques, where the sound will be characterized by a choir score.

The James Webb Space Telescope, a collaboration between the space agency the American one (NASA), the European one (ESA) and the Canadian one (CSA), is the largest telescope ever sent into space and opened new horizons for astronomy thanks to its 6.5 meter eye. Expanding the research paths started by its predecessor Hubble, the Webb telescope is today the most sophisticated space observatory that man has ever had built, which will allow us to study the history of the Universe, from the Solar System up to older galaxies. The video processing techniques used to treat the images are varied: from glitch art manipulations in order to give life and three-dimensionality to the totemic installation, to pixel sorting and point cloud to rework and animate the images of the Webb telescope, up to the use of found footage also treated with mixed digital techniques to draw the contours of a humanity at the crossroads, which comes to terms with its own destructive power.

The sound of the installation is characterized by textures of choirs and classical instruments processed and intersected with each other with granulation, spectral synthesis and spatialization effects. In contrast, there are incursions of sound design, found footage, synthesizers and drum machines processed with resonant filters, vocoding effects, and pitch tracking.